It may be that in the nineteen-sixties, when television was still muzzling itself, from fear of provoking advertiser displeasure or F.C.C. reaction, books were a more accessible form for social criticism and dissent. It may also be that books were still a little radioactive then, a little dangerous. Friedan’s book came out in the wake of some celebrated censorship trials—“Lady Chatterley’s Lover,” “Tropic of Cancer,” “Fanny Hill.” One of Coontz’s respondents recalled “The Feminine Mystique” being treated “like a banned book.” The sense that an object is somehow forbidden gives it greater power.-- New Yorker article on The Feminine Mystique
Hello. I'm Ryan Bigge, a Toronto-based content strategist and cultural journalist. I also dabble in creative technology. And just like Roman on Party Down, I have a prestigious blog.